“In reaching any foreign country, one is immediately
conscious of an all-pervading atmosphere that is markedly different to that of
one’s own land, but this characteristic atmosphere is largely indefinable, and
one’s appreciation of it is continually affected by the circumstances of one’s
contact with it” (E. Sylvia Pankhurst, A
Suffragette in America, p. 65)
Journeying with Sylvia Pankhurst and Katherine Connelly
between Britain and America of the 1910s and the 2010s is a sojourn in learning
about Sylvia, about her sisters and comrades but most specifically about
ourselves. From the days in which De Tocqueville wrote Democracy in
America—which as we know is largely a book about the French revolution—we know
well travel writing can unravel much about who we are as much as that
destination we get to know and appreciate becoming part of our spiritual
hinterlands. Sylvia Pankhurst speaks to our psyches on both sides of the
Atlantic Ocean here and now, and her sojourn in injustice and within her own
psyche teaches us as readers profound lessons. Those who meet Sylvia on their
journey are incapable of resisting her voice becoming part of their own
atmosphere. She is very present in 2019. We are both eagerly awaiting the
new—and much needed- biography of Sylvia seeing light this year by Rachel
Holmes, to whom we are grateful for many things, separately—but also for
introducing us to each other. Sylvia has never gone anywhere, and yet Kate’s
book is crucial in making this vital connection between Sylvia’s 1910s American
voyage and our times.
Sylvia’s voice which you shall encounter here today speaks
profoundly to experiences that are our headlines in 2019: from mass strikes to
mass incarceration; structural racism to native land and destruction of native
culture. And I would like to pause here and speak of Kate’s editing that is
very much in the spirit of Sylvia – from the Women’s Dreadnought, the Workers’
Dreadnought to New Times and Ethiopia
News Sylvia knew herself the weight of chronicling and delivering texts,
and the responsibility and potential of an editor. Kate’s work makes this book
a rigorous and engrossing read; you, the reader, keep thinking, where does Sylvia
go next? What is the next stage on her travels?
Publishing is a revolutionary practice, one that gives the text a new
life, never exactly the one it had started when it first sojourned into the
world. Thus Kate’s editorial work allows Sylvia’s reflections to achieve more
and more of our own lands.
Sylvia reported gross injustices that brought her down and
sent her spirit into dark abysses often. And yet her indefinable and
indomitable passion for justice sustain the text as galvanizing and
inspiring—calling us to continue the work, so much yet work to be done, in our
own voyages onward to make wrongs into
rights. When summarizing from a Native American college she writes: “Onwards
floweth the water, onward through meadows broad.
“How happy,” the meadows say, “art thou to be rippling onward”.
And so today we say: “Onwards, A Suffragette in America!”
Comrades: (l to r) Katherine Connelly, Tracy Walsh of the Oxford International Women's Festival and Dana Mills celebrating the Oxford launch of A Suffragette in America |
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